Do you like Pinatas?

Random Musings, Rave!

Reading Other People does.

But you know what’s better than a Pinata? A custom-made one. Made by a woman with impossibly long nails and charisma up the wazoo.

An interview with the woman behind the magic of Your Pinata  is coming exclusively to Reading Other People later this week. But until then, we’ll be posting some of the artist’s works to get you excited. Trust us when we say that whatever you thought you knew about pinatas can be thrown out the window, because this lady is changing the classic Pinata perception, one piece of paper mache at a time.

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Just Divine.

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A Pinata Party with the Spirited Meaghan Kennedy of Your Pinata

Best of 2016, Random Musings, Rave!

I just love it when someone who is kind, generous, and good finds success in not only what they do, but who they are. Art and life can sometimes be incongruous, but when the fusion of creating something coalesces with true talent, anything can be possible. Just ask the raven-haired beauty with the crazy nails behind Your Pinata, the tremendously unique entity that can make a likeness of anything into a pinata. And I mean anything.

So, without further adue, here is my exclusive interview with Meaghan Kennedy, pinata savant and radiant beauty. And no, she didn’t pay me to say that. It’s just the truth.

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Meaghan Kennedy, the Genius Behind All That Pinata-ness.

Reading Other People (ROP): I’ve known you a long time, and I know you’ve always been creative. Why pinatas? Why now?

Meaghan Kennedy (MK): We have known each other for ages! So rad! Pinatas started as a joke. I wanted to enter in a talent show and so I made a pinata of a pink poodle… it became an obsession quickly! So fun to smash all my hard work!

ROP: Your free spirit is something that makes you so memorable. How have you harnessed that openness to your art?

MK: That’s lovely, thank you:)

ROP: You’ve met some pretty famous people and gotten some pretty major exposure to Your Pinata. Who would you just love creating a Pinata for?

MK: The list is huge. So many people are inspiring to me. I made one for Trudeau during his election campaign, and I had always wanted to make one for John Waters and that happened last year.. I would love to make one for Mariah Carey, Britney, Amy Poehler and Tina Fey are way rad. Anyone from daytime television. SO many crazy characters to smash (who wouldn’t want to hit Victor Newman?)!

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The Artist at Work.

ROP: How would you describe your design aesthetic? Do you do a lot of pre-planning or do you like for the creation phase to be as organic as possible?

MK: I always try to connect with each client and give them a pinata that will really leave an impression. I think the big heads/small bodies are hilarious, they look like the person but not too much that you would get creeped out. I don’t do well with drawing so I tend to reference images and just get creative!

ROP: You’ve modelled, you’ve acted, you’ve DJ’ed..and now with your piñata, you are becoming an artistic tsunami. Do you have a favorite?

MK: Hehe, pinatas for sure! It’s the first time I feel like I am really great at something. Like I am making something special happen.

ROP: How do you decide who you’re going to design a Pinata for?

MK: Almost all my work is commission based, so the client decides what/who I am making. That being said, I make a lot of pinatas on my downtime, and I pick people who inspire me. I had the opportunity to see my idol John Waters last year, so I made him a pinata and showed up with it. He loved it and brought it up on stage with him to thank me. Pinch me!

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Cry Baby Pinata from the John Waters Film

ROP: When you finally make that piñata for Britney Spears, can I come with you to Las Vegas to deliver it to her?

MK: YES!!! I still remember the big poster on your bedroom door at your mum’s place:)

ROP: Is there a time of day that you feel the most creative? What inspires you? Music? People? Feelings?

MK: Having worked retail for 15 years I have a big love for pop music and top 40 for when I need to keep energy up. I love me some Supertramp, Neil Young, Charles Bradley, Smashing Pumpkins.. I could listen to Britney/Mariah all day and be a happy girl! Wide range!

ROP: Have you ever declined a piñata order?

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Heathers!

MK: Yes. Many times. I am not interested in making people you hate. Go smash a bottle against a wall. I declined several Stephen Harper pinatas, Trump, Rob Ford (I made one and it made me feel horrible looking at his ugly face for 3 days while making him.) I would so much rather make your mum or your boss! Life should be fun! Don’t waste your time on bullshit!

ROP: Amen to that, sister. Amen to that.

Read more about Your Pinata at http://www.yourpinata.com, including instructions on how to get your own custom pinata.

Smash on.

 

An Interview with Premier Photographer to the British Stars: Roger Sargent

Best of 2016, Concert, Film, Music, Random Musings

After building up suspense over the past few days, it has come time for us to reveal our extremely fortunate opportunity to post our exclusive interview with the man behind all of the photographs highlighted in the clues.

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Oasis

Roger Sargent, savant photographer of some of British music’s biggest names EVER, graciously accepted an interview request from Reading Other People. This is the man who photographed everyone from Suede to Blur, from Paul Weller to Richard Ashcroft. And, oh,  did I mention he’s the genius behind the infamous Libertines record we posted a few days back?

Now, for your reading pleasure, check out our intimate interview with the awesome-beyond-words Roger Sargent.

Reading Other People (ROP): First of all, I thank you a million times for allowing me to interview you. It’s an honour. Your portfolio is literally a whos-who of not only my all-time favorite artists, but a testament to timeless photography. How do you go about selecting your subjects?

Roger  Sargent (RS): I literally go with what I’m currently buzzing off. I think throughout my life I’ve always retained that excitement for the new, it keeps me young (ish) and inspired. New bands are less jaded and still love being around each other. So largely I’m continuing to discover new bands the same way I always did – radio, word of mouth, YouTube. There are fewer and fewer magazines left now so I tend to contact the bands and labels direct.

ROP:  How did you come upon a career in photography? You clearly have an innate talent to capture both the solitude and intimacy of your subjects.

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Liam Gallagher and Tom Meighan

RS: When I was fifteen I kinda new what I wanted to do – shoot for NME. I was lucky enough to achieve that about five years later having studied photography at university. I think one (of many) things that my course leader Daniel Meadows taught us was “if it’s not good enough, you’re not close enough”

ROP: Cat Power…The Libertines…true renegades of rock music. Is there something about their ferocity that attracts you?

RS: I like to feel (at first) a little intimidated by bands, great artists always have that spark and potential for chaos. The feeling that literally anything can happen.

ROP: How do you choose to style the shoot? Do you let the artist be organic, or is there more staging going on?

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The Libertines

RS: That really depends on who. Some artists have an innate sense of self others need a little help. I like when bands look like a unit, that something gels them together. That can even be an abstract uniformity. It’s easy enough to tweak things but way more satisfying when it’s all “there”.

ROP:  Is there a medium that is your true favorite? Photography? Video? An amalgam of both?

RS: At the moment video, but it’s still pretty new to me. The two have so many similarities. I’m a little down on the photography medium because there are increasingly fewer outlets for it to exist. But everything changes and it’s not like it will die. But it needs to be valued more.

ROP: You shot the Boo Radley’s! Were you able to get “Wake Up, Boo” out of your head at all whilst shooting?

RS: Ha! No! But happily so. I was there during the recording of the album. It’s still a great favourite of mine. Happy times. Though Martin (Carr) told me recently he still can’t listen to any of those records, which is a shame.

ROP: What’s your take on modern music today? Who have you been listening to?

RS: There’s loads of great stuff happening at the moment. I tend to listen to what I’m involved With. So, Sunflower Bean, a lot. Fat white Family, Sleaford Mods.

 ROP:Who is your dream subject to photograph, either alive or dead?

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Richard Ashcroft

RS: The Doors would have been fun. But honestly, it’s the next truly exciting talent I’m more interested in.

ROP: Your portfolio is like a scrapbook of my favorite artists. Where’s the Belle and Sebastian pic?

RS: I did shoot them live once….but back in the day they were incredibly camera shy and hated the NME. Two things that didn’t help!

ROP: If you had to choose three words to describe your style, what would they be?

RS: Honest, intimate, reflective.

ROP: What advice do you have for aspiring writers and photographers around the globe?

RS: Be unique!

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Roger Sargent

 

Visit Roger’s website  st https://rogersargent.carbonmade.com/ for more info about him, and to check out more of his portfolio.